9:31 Feb 24th, 2013 | 24 notes

f0xface:

Mary Oliver

f0xface:

Mary Oliver

12:13 Oct 16th, 2012 | 4 notes

Wild Geese

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

-Mary Oliver

2:58 Aug 28th, 2012 | 13 notes

To the Harbormaster

I wanted to be sure to reach you;
though my ship was on the way it got caught
in some moorings. I am always tying up
and then deciding to depart. In storms and
at sunset, with the metallic coils of the tide
around my fathomless arms, I am unable
to understand the forms of my vanity
or I am hard alee with my Polish rudder
in my hand and the sun sinking. To
you I offer my hull and the tattered cordage
of my will. The terrible channels where
the wind drives me against the brown lips
of the reeds are not all behind me. Yet
I trust the sanity of my vessel; and
if it sinks, it may well be in answer
to the reasoning of the eternal voices,
the waves which have kept me from reaching you.

- Frank O’Hara

(via sometimesagreatnotion)

was already thinking of this poem today because of this, via the hairpin.

11:24 Aug 17th, 2012 | 12,857 notes

cigrette:

Late August, by Margaret Atwood

last day at the beach…sigh.

cigrette:

Late August, by Margaret Atwood

last day at the beach…sigh.

(via comelycreatures)

3:36 Aug 10th, 2012 | 6 notes

rorevans:

Postcard sent from David in New York to Tony Kushner in Assisi, Italy, 1997; the poem is Elizabeth Bishop’s “Letter To New York.”  

this tumblr of gifts made by David Rakoff for his friends over the years is luminously beautiful - go spend some time with it.
Letter to N.Y.
For Louise Crane
In your next letter I wish you’d saywhere you are going and what you are doing;how are the plays and after the playswhat other pleasures you’re pursuing:
taking cabs in the middle of the night,driving as if to save your soulwhere the road goes round and round the parkand the meter glares like a moral owl,
and the trees look so queer and greenstanding alone in big black cavesand suddenly you’re in a different placewhere everything seems to happen in waves,
and most of the jokes you just can’t catch, like dirty words rubbed off a slate,and the songs are loud but somehow dimand it gets so terribly late,
and coming out of the brownstone houseto the gray sidewalk, the watered street,one side of the buildings rises with the sunlike a glistening field of wheat.
—Wheat, not oats, dear. I’m afraidif it’s wheat it’s none of your sowing, nevertheless I’d like to knowwhat you are doing and where you are going.
— Elizabeth Bishop

rorevans:

Postcard sent from David in New York to Tony Kushner in Assisi, Italy, 1997; the poem is Elizabeth Bishop’s “Letter To New York.”  


this tumblr of gifts made by David Rakoff for his friends over the years is luminously beautiful - go spend some time with it.

Letter to N.Y.

For Louise Crane

In your next letter I wish you’d say
where you are going and what you are doing;
how are the plays and after the plays
what other pleasures you’re pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road goes round and round the park
and the meter glares like a moral owl,

and the trees look so queer and green
standing alone in big black caves
and suddenly you’re in a different place
where everything seems to happen in waves,

and most of the jokes you just can’t catch, 
like dirty words rubbed off a slate,
and the songs are loud but somehow dim
and it gets so terribly late,

and coming out of the brownstone house
to the gray sidewalk, the watered street,
one side of the buildings rises with the sun
like a glistening field of wheat.

—Wheat, not oats, dear. I’m afraid
if it’s wheat it’s none of your sowing, 
nevertheless I’d like to know
what you are doing and where you are going.

— Elizabeth Bishop

8:52 May 9th, 2012 | 4 notes

Mad Girl’s Love Song

I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell’s fires fade:
Exit seraphim and Satan’s men:
I shut my eyes and all the world drops dead.

I fancied you’d return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)

- Sylvia Plath

11:37 May 4th, 2012 | 9 notes
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much

Frank O’Hara

10:51 Apr 26th, 2012 | 73 notes

wwnorton:

Why I Am Not A Buddhist

I love desire, the state of want and thought
of how to get; building a kingdom in a soul
requires desire. I love the things I’ve sought-
you in your beltless bathrobe, tongues of cash that loll 
from my billfold- and love what I want: clothes,
houses, redemption. Can a new mauve suit
equal God? Oh no, desire is ranked. To lose
a loved pen is not like losing faith. Acute
desire for nut gateau is driven out by death,
but the cake on its plate has meaning,
even when love is endangered and nothing matters.
For my mother, health; for my sister, bereft,
wholeness. But why is desire suffering?
Because want leaves a world in tatters?
How else but in tatters should a world be?
A columned porch set high above a lake.
Here, take my money. A loved face in agony,
the spirit gone. Here, use my rags of love.

- Molly Peacock, from Cornucopia

11:09 Mar 28th, 2012 | 2 notes

3:23 Mar 23rd, 2012 | 3 notes

Having a Coke with You

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

Frank O’Hara